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New book, The Vandercook 100 includes Caveworks Press

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To celebrate 100 years of letterpress printing on Vandercook presses (1909-2009), printer and press owner, designer, and now publisher Heather Mitchell has spent the last two years of her life putting together the book  The Vandercook 100.

We are extremely pleased to say Caveworks Press joins 99 other printer-artisans featured in this Spring 2012 publication! 

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Photo credits: Heather Mitchell

Heather Mitchell  says: “ The Vandercook 100 celebrates 100 years of printing on the Vandercook proof press (19091-2009) and showcases 100 of today’s most significant letterpress printers using the Vandercook press. The selected printers are internationally respected teachers, practitioners, and designers recognized for their diversity of design and printing processes, their passion for letterpress and their love of the Vandercook proof press.”

Caveworks Press makes an appearance in the video trailer.
Hint: There is an ink fairy outside the shop.

Getting a peek into so many shops or studios (there is an ongoing debate on what you call your printing space) will be so interesting to see. Heather says all kinds of tips and tricks for those just learning the art of letterpress will be another bonus, not to mention the historical aspect of the Vandercook proof press model index.

Here’s what’s included:

• 224 pages of insight into the letterpress printing industry
• stories from over 100 artisans, teachers, practitioners, and designers
• over 500 photographs that share a glimpse inside studios, institutions and book art centers throughout the world
• a Vandercook proof press model index
• the best tips + tricks from the 100 participants for maintenance and operation of the Vandercook proof press
• a huge resource section full of useful links to manuals, equipment, museums, supplies, and much more…

Interested? The book can be pre-ordered from Amazon here.

Yes, Virginia there is a Santa Claus.

This year, with a six year old’s excitement about Christmas surrounding us daily, the bombardment of the commercial messages about gifting, and the need to retrain our eyes to see the magic and the sacredness in the season, nay the whole of life, has directed what I hope will be an annual tradition in our place: the letterpress printing of our Christmas card.

Caveworks Press Christmas card cover

In 1897, a little girl wrote a letter to the editor

The story of the little 8 year old girl who writes a letter to the editor to ask if Santa really exists is still as relevant as it was in 1897, an age the editor calls “skeptical” in his full response to Virginia.

Caveworks Press Christmas card inside

We used portions of the letter to Virginia in our card

If 1897 was skeptical, I hate to think where we are now. It is only the child’s eyes that keep renewing the world; only a child who can truly see how wondrous is creation. So, with remembering our own childhoods, and seeing the hope anew in our children’s eyes, we nurture that sacred spark that no amount of jadedness, or crass commercialization, or holiday busy-ness can extinguish. May you keep it alive in your heart as well. We are trying over here :)

Here’s a little bit about how the card was made: The first color printed was green. Since the Santa image was a rubber stamp, it would require different treatment than type in printing. I lowered the bed of the Vandercook UNI II (which has an adjustable bed) to accommodate the over 1″ height of the stamp. It required a “kiss” impression so that the rubber would not distort with the pressure applied by the cylinder.

Next the red was printed (on a different day.) It was arranged to print 2-up, working and turning over to print the red on both the cover and inside at the same time.

Caveworks Press Christmas card, red setup

Red inked type ready to roll

Red Y Massey Initial-Caveworks Press

I love these initials!

 

 

 

 

 

 

 

 

 

 

 

 

 

Next the black was run on the press, in the about the same setup.

Caveworks Press typeset black

 

 

 

 

 

 

Showing how the printed sheet (Lennox 100 machine made paper) is a work and turn operation.Work and turn Christmas card-Caveworks Press

 

 

 

 

 

For the Wikipedia entry on this holiday tradition see the story here.

For the full text of the letters, see the Newseum.

A very Merry Christmas and a Happy New Year to you and yours!

Printing Titles in Shadow Typeface

I’ve liked making the paste paper journals so much, but something was missing….why not print titles for the front?

JOURNALS titlesI have this very cool metal typeface called Shadow, I believe.

I am looking for more info on the origins of this font.

Journals  inked CU

Update

I have learned from my letterpress friends on the Letpress list that this is ATF’s Shadow #589, originally designed by Morris Fuller Benton in 1914. Despite being  nearly 100 years old it is so modern-looking! He designed over 200 typefaces. See more info about Morris Fuller Benton here.

Sharing a little

My dad gave me a book for my birthday that he owned for some years. It was falling apart, so he made his own leather cover for it. Now that is detaching. I may want to try and rebind it. For now, I thought I would share it a little. It is called Household Discoveries An Encyclopaedia of Practical Recipes and Processes by Sidney Morse, published by the Success Company in Danville, Illinois,1908. It is 256 pages of info on all the things you might ever want to do for your home, your health, your cooking, and is incredibly rich in original processes on everything from cleaning solutions to metal work.
Someone asked me if I could share what the book says on electroplating and electrotyping. I’ve made a PDF file that can be downloaded here.

“Human Acquisitions” by Julie Russell-Steuart

Letterpress printed broadside of poem “Human Acquisitions” by Julie Russell-Steuart.

Human Acquisitions BroadsideOriginally printed for the 2010 APA poster bundle, with 55  prints reserved for sale. Handset type in gray and linoleum cuts in two colors on gray Stonehenge paper. There are about 45 left.

$45.00 plus shipping. Contact to purchase

The subject matter is a sci-fi inspired, somewhat fantastic account of growing up with hearing loss (based on my experience). It is the story of a boy and a girl, brother and sister, who find the world of reading, particularly sci-fi, much more attractive than the real world, who escape into fantasy as a means of coping with the social alienation of hearing loss. A bit of a surprise ending, too.

It was chosen in 2002 as the winner of the Roberta S. Tamares Sci-Fi
award at the University of Northern Iowa, while I was taking a
single poetry class with Vince Gotera and volunteering at the North
American Review.

It was featured in a Atelier 6000 Broadside Exhibition at Atelier 6000 in November of 2010.

The Fair is Nearly Here

Yellow, brown, green, orange, a lovely mix of fall colors on this pocketbook

 

If you are viewing this, the new website is operational! It’s been a long time coming. I chose WordPress because it seemed pretty user-friendly but also very flexible.

It is only a day and a half till the fair, and I have made pocketbooks, paste paper journals, wallets from book jackets and coffee bags, body wallets, and will have samples of personalized stationery on hand for orders. Needless to say, this has been a huge undertaking after deciding at nearly last minute to enter the jury process.Here is a link to the fair on Saturday, September 17, 10-5, in Cedar Falls, Iowa.

Mohair Pear Presents: The Pear Fair D.I.Y. Craft & Design Event